That's one of the most wonderful things about writing for younger audiences — it matters. We all read for entertainment, no matter how old we are, but kids also read to find out how the world works. They pay keen attention, they argue back. There's a consequentiality to writing for young people that makes it immensely satisfying. You see it when you run into them in person and find out that there are kids who read your book, googled every aspect of it, figured out how to replicate the best bits, and have turned your story into a hobby.
...
young people live in a world characterized by intense drama, by choices wise and foolish and always brave. This is a book-plotter's dream. Once you realize that your characters are living in this state of heightened consequence, every plot-point acquires moment and import that keeps the pages turning.
An introduction
This is a semi-public place to dump text too flimsy to even become a blog post. I wouldn't recommend reading it unless you have a lot of time to waste. You'd be better off at my livejournal. I also have another blog, and write most of the French journal summaries at the Eurozine Review.
Why do I clutter up the internet with this stuff at all? Mainly because I'm trying to get into the habit of displaying as much as possible of what I'm doing in public. Also, Blogger is a decent interface for a notebook
Why do I clutter up the internet with this stuff at all? Mainly because I'm trying to get into the habit of displaying as much as possible of what I'm doing in public. Also, Blogger is a decent interface for a notebook
Friday, April 22, 2011
Cory Doctorow on the joys of writing for teenagers:
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