Pulled by the poppy and pushed by cocaine, Keith acquires a taste for working unholy hours in the studio that damn near kill his colleagues. He goes round the clock and considers it mutiny if anyone toiling with him leaves the deck. “I realized, I’m running on fuel and everybody else isn’t. They’re trying to keep up with me and I’m just burning. I can keep going because I’m on pure cocaine . . . I’m running on high octane, and if I feel I’m pushing it a little bit, need to relax it, have a little bump of smack.”
An introduction
This is a semi-public place to dump text too flimsy to even become a blog post. I wouldn't recommend reading it unless you have a lot of time to waste. You'd be better off at my livejournal. I also have another blog, and write most of the French journal summaries at the Eurozine Review.
Why do I clutter up the internet with this stuff at all? Mainly because I'm trying to get into the habit of displaying as much as possible of what I'm doing in public. Also, Blogger is a decent interface for a notebook
Why do I clutter up the internet with this stuff at all? Mainly because I'm trying to get into the habit of displaying as much as possible of what I'm doing in public. Also, Blogger is a decent interface for a notebook
Sunday, November 14, 2010
Liz Phair on Keith Richards' autobiography
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment