What I love about this is that it's obviously part of that Strychnin aesthetic of steampunk victoriana and Gaimanesque fairy-tales, but has managed to bridge the gap between there and the real world. Oh what a world, where introducing punk into steampunk can be a revelatory gesture.
An introduction
This is a semi-public place to dump text too flimsy to even become a blog post. I wouldn't recommend reading it unless you have a lot of time to waste. You'd be better off at my livejournal. I also have another blog, and write most of the French journal summaries at the Eurozine Review.
Why do I clutter up the internet with this stuff at all? Mainly because I'm trying to get into the habit of displaying as much as possible of what I'm doing in public. Also, Blogger is a decent interface for a notebook
Why do I clutter up the internet with this stuff at all? Mainly because I'm trying to get into the habit of displaying as much as possible of what I'm doing in public. Also, Blogger is a decent interface for a notebook
Saturday, February 13, 2010
From Bruce Sterling's compellingly-annotated Flickr set studies in atemporality, presumably a companion to his Transmediale speech:

What I love about this is that it's obviously part of that Strychnin aesthetic of steampunk victoriana and Gaimanesque fairy-tales, but has managed to bridge the gap between there and the real world. Oh what a world, where introducing punk into steampunk can be a revelatory gesture.
What I love about this is that it's obviously part of that Strychnin aesthetic of steampunk victoriana and Gaimanesque fairy-tales, but has managed to bridge the gap between there and the real world. Oh what a world, where introducing punk into steampunk can be a revelatory gesture.
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